SELECTED PUBLISHED ARTICLES, BOOKS AND REVIEWS:

Glueck, Grace, “Picturing Some Shocks That Flesh Is Heir To,” The New York Times (December 26, 2005): Section E, 3.

Squires, Carol, The Body At Risk: Photography of Disorder, Illness, and Healing, University of California Press (Berkeley), 2005 (illus.).

Hanson, David T., “Waste Land,” fishwrap, v. 2, n. 1 (Winter 2005): 40-63 (illus.).

Coupland, Douglas, [untitled], Adbusters, v. 10, n. 1 (January/February 2002): unpaginated (illus.).

Goldberg, Vicki and Robert Silberman, American Photography: A Century of Images, Chronicle Books (San Francisco), 1999 (illus.).

Hugunin, James, “Waste Land,” New Art Examiner, v. 26, n. 2 (October 1998): 61 (illus.).

Van Siclen, Bill, “‘Down to Earth’ at RISD,” The Providence Journal–Bulletin (July 10, 1998): Section E, 4.

“Waste Land: Meditations on a Ravaged Landscape,” High Country News, v. 30, n. 11 (June 8, 1998): 6-7 (illus.).

Stepanova, Sonya, “An America You’ve Never Seen Before: Photographer David T. Hanson’s Disturbing Vision,” Fast Times, v. 15, n. 3 (May/June 1998): 8 (illus.).

Brown, Peter, “Books,” Spot, v. 17, n. 1 (Spring 1998): 20-21 (illus.).

Van Siclen, Bill, “A Lurid Look,” The Providence Journal–Bulletin (April 10, 1998): Section E, 8.

“Received and Noted,” Afterimage, v. 25, n. 5 (March/April 1998): 20.

Kelly, Erin, “Photo book of ravaged Montana landscapes not a pretty picture,” Great Falls Tribune (March 8, 1998): Section M, 1-2 (illus.).

Flynn, Patrick J. B., “The hidden ruins,” The Progressive, v. 62, n. 11 (February 1998): 14-15 (illus.).

Hanson, David T., Waste Land: Meditations on a Ravaged Landscape, Aperture (New York), 1997 (illus.).

Lippard, Lucy R., The Lure of the Local: senses of place in a multicentered society, The New Press (New York), 1997 (illus.).

Goldberg, Vicki, “Photographs in History’s Shifting Gaze,” The New York Times (November 10, 1996): Section H, 1, 16 (illus.).

Van Siclen, Bill, “Grand vistas with a dark side,” The Providence Journal–Bulletin (February 9, 1996): Section E, 1, 6 (illus.).

Barefoot, Kevin, “Ignorant Armies,” Adbusters, v. 3, n. 2 (Summer 1994): 58-59 (illus.).

Sobieszek, Robert A., Robert Smithson: Photo Works, Los Angeles County Museum of Art (Los Angeles), 1993 (illus.).

Lyon, James S., Thomas J. Hilliard and Thomas N. Bethell, Burden of Gilt: The legacy of environmental damage from abandoned mines, and what America should do about it, Mineral Policy Center (Washington, DC), 1993 (illus.).

Gablik, Suzi, “The Ecological Imperative: Making Art as if the World Mattered,” Michigan Quarterly Review, v. 32, n. 2 (Spring 1993): 231-247 (illus.).

Revkin, Andrew, Global Warming: Understanding the Forecast, Abbeville Press (New York), 1992 (illus.).

“Late American Landscapes,” Orion, v. 11, n. 3 (Summer 1992): 47-55 (illus.).

Plagens, Peter, “The Far Side of Eden,” Newsweek, v. 119, n. 22 (June 1, 1992): 66-67 (illus.).

Oates, Joyce Carol, “David Hanson’s Colstrip, Montana Series,” American Art, v. 6, n. 2 (Spring 1992): 98-102 (illus.).

Gablik, Suzi, “The Ecological Imperative: A New Cultural Coding,” The Reenchantment of Art, Thames & Hudson (New York), 1991 (illus.); revised version published in Art Journal, v. 51, n. 2 (Summer 1992): 49-51 (illus.).

Oates, Joyce Carol, “A Corner To Write In,” Elle Decor, v. 2, n. 8 (October 1991): 132.

Jones, Peter C., The Changing Face of America, Prentice Hall (New York), 1991 (illus.).

Kozloff, Max, “Ghastly News from Epic Landscapes,” American Art, v. 5, n. 1-2 (Winter/Spring 1991): 109-131 (illus.); reprinted in Lone Visions, Crowded Frames: Essays on Photography, University of New Mexico Press (Albuquerque), 1994 (illus.).

Raynor, Vivien, “Aldrich Offers Visions of Inhumanity,” The New York Times (August 4, 1991): Section C, 6.

Goldberg, Vicki, “A Terrible Beauty,” ARTnews, v. 90, n. 6 (Summer 1991): 106-113.

Wolfson, Elissa, “Resettling Love Canal,” E Magazine, v. 2, n. 1 (January/February 1991): 16-18 (illus.).

Liss, Andrea, “Doom With A View,” Afterimage, v. 18, n. 5 (December 1990): 19-20.

Gablik, Suzi, “The Ecological Imperative,” The Structurist, n. 29/30 (1989/90): 10-15.

Hanson, David T., “Waste Land,” The Structurist, n. 29/30 (1989/90): 16-19 (illus.).

Leach, Mark David, “Righting Society’s Moral Compass: Contemporary Artists as Eco Activists,” ARTVU, v. 4, n. 2 (1990): 4-11 (illus.).

Bright, Deborah, “Paradise Recycled: Art, Ecology and the End of Nature [sic],” Afterimage, v. 18, n. 2 (September 1990): 10-13.

Hanson, Joyce, “Can Art Save the World?,” New City, v. 5, n. 119 (September 26, 1990): 18 (illus.).

Hiaasen, Carl, “Photographs depict a world gone awry,” The Miami Herald (September 19, 1990): Section B, 1-2 (illus.).

Lacayo, Richard, “The Man Who Captured the Earth’s Beauty,” Time, v. 136, n. 10 (September 3, 1990): 62-65.

Squiers, Carol, “. . . And the New View of Nature,” American Photo, v. 1, n. 5 (September/October 1990): 54-71, 96 (illus.).

Shepard, Paul, “Digging for Our Roots,” Places, v. 6, n. 4 (Summer 1990): 68-81 (illus.).

Grundberg, Andy, “Beauty and Challenge in Modern Landscapes,” The New York Times (July 13, 1990): Section B, 1.

Sobieszek, Robert, “Lens of the Beholder,” Mother Earth News, n. 122 (March-April 1990): 104-107 (illus.).

Hill, Ed & Suzanne Bloom, “Landscape vs. Environment: or, thirteen ways of coping with Nature,” Spot, v. 9, n. 1 (Winter 1990): 5-7.

Corbin-Pardee, Linda, “Reviews,” New Art Examiner, v. 17, n. 5 (January 1990): 47-48 (illus.).

Silver, Joanne, “Montana photo essay shows pain of progress,” Boston Herald (September 8, 1989).

Horn, Miriam, “Our Imaginary Plains,” U.S. News & World Report, v. 107, n. 12 (September 25, 1989): 51-55 (illus.).

Hanson, David T., “Waste Land,” Tough Questions (Summer 1989): 7-9 (illus.).

“New Faces 1989,” American Photographer, v. 22, n. 2 (February 1989): 25.

Baltz, Lewis, “The Raft of the Medusa: American Photography in the 1980’s,” Revue Française d’études Américaines, v. 14, n. 39 (February 1989): 71-83.

Bellon-Fisher, Linda, “American Independents,” Re: View (The Friends of Photography), v. 10, n. 9 (September 1987): 1-3 (illus.).

Marien, Mary Warner, “The way we live now,” The Christian Science Monitor (July 3, 1987): Section B, 8.

Eauclaire, Sally, “David T. Hanson: Colstrip, Montana,” American Independents: Eighteen Color Photographers, Abbeville Press (New York), 1987 (illus.).

Hanson, David T., “Power Source: The View from Colstrip, Montana,” Aperture, n. 106 (Spring 1987): 46-51 (illus.).

Baltz, Lewis, “New Documentary Photography,” Camera Austria (Winter 1987) (illus.).

Thomas, Alan G., “Reviews,” New Art Examiner, v. 14, n. 7 (March 1987): 43.

Thornton, Gene, “Beyond Narration,” The New York Times (December 14, 1986): Section 2, 21.

Thornton, Gene, “The Modern Still Favors the Documentary Approach,” The New York Times (August 19, 1984): Section H, 21.

Hanson, David T., “Photography: Straight or on the Rocks? A Conversation with Max Kozloff,” Aperture, n. 89 (1982): 2-6; reprinted in The Privileged Eye: Essays on Photography, University of New Mexico Press (Albuquerque), 1987.